THEREZ FLEETWOOD
Ethnic-American brides have long sought to add cultural touches to their
wedding attire. It was Therez Fleetwoods desire to fill this neglected niche
market that prompted her to create the Therez Fleetwood Bridal Collection, a unique
line of wedding gowns that combine Ethnic fabrics and regional influences with
European cuts and silhouettes.
Ms. Fleetwood started the company in
1996 after being asked to design a wedding dress exclusively for Jumping The Broom,
The African-American Wedding Planner, by former fashion editor of Essence magazine,
Harriet Cole. The success of the book brought an overwhelming demand for Therezs
wedding gown and encouraged her to expand her bridal collection.
Our
society is a melting pot of various cultures, says Fleetwood, but
for a long time, brides wore traditional wedding dresses that did not represent
their diversity. My dresses bring together different cultures in a way that is
very fashion-forward.
Ms. Fleetwood uses fabrics such as Nigerian
Ashoke clothe (which has metallic threads woven in patterns similar to Kente cloth)
and Guinea brocade from West Africa to create her highly tailored gowns. The detailing
in her designs is inspired by
the dress of west, sub-Saharan and northern African countries, as well as India
and the Caribbean. Fleetwood also enhances diverse fabrics with hand beading or
decorative trims sewn onto the dresses in detailed designs. A special trademark
of her wedding gowns is that each includes a matching headpiece with a detachable
veil.
Since launching her collection, Ms. Fleetwood has quickly become
known as the leading designer of Ethnic bridal wear. Her gowns have appeared in
magazines such as In Style Weddings, Essence, Signature Bride, and Black Elegance.
She designed the only wedding gown to be featured in the Essence By Mail catalogue
and was one of 35 designers to have a display in the New York Gets Married
exhibit at the Museum of the City, May through September, 1997.
In 1996,
the popularity of the Therez Fleetwood Bridal Collection caught the eye of executives
at American Express and she was selected for the national commercial entitled
Portraits, featuring four small businesses. Later that year, the producers
of the NBC Today Show invited her to showcase several of her unique Ethnic bridal
gowns. Ms. Fleetwoods entrepreneurial sprit and the success of her designs
earned her the Allstate Insurance Companys 1997 From Whence We Came:
African- American Women of Triumph Award. Ms. Fleetwood, who attended
the Fashion Institute of Technology (F.I.T.) in New York, began her career in
Ethnic design in 1990 with the launching of her Phe-Zula Collection. It was a
well received line of casual, career and formal wear which was featured in an
array of publications, including Elle, Italian Glamour, Womens Wear Daily,
and The New York Times.
Under Phe-Zula, Ms. Fleetwood developed a long
list of celebrity clientele, Including: Angela Bassett, Vanessa Williams, Queen
Latifah and the popular recording group En Vogue who she dressed for the 1991
Grammy Awards. She also designed the first Afrocentric costumes for Walt Disney
Worlds Mickey and Minnie Mouse in Orlando, Florida. Her acclaimed formal
wear has been displayed at F.I.T.s Tribute to the Black Fashion Museum and
appears in the Fairchild text book publications entitled Survey of Historic Costume
second edition, copyright (c)1994 and third edition, copyright (c) 1998. |